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Our first offering of the 2016-2017 season Mary Shelley Sees The Future may have closed, but that doesn’t mean the fun is over. GODDAMN GENIUSES, co-written by Nathaniel Shane and Gannon Reedy, begins rehearsals in just a few weeks! In the meantime, this photo essay by Nico Fernandez will take you behind-the-scenes into the devising and rehearsal process of director Olivia Lilley and Mary Shelley. Check it out!

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Mary Shelley stares down a faceless man…

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Percy Shelley Chases His Wife Through Time?

For the upcoming weeks, Mary Shelley dramaturge Malvika Jolly will be guest posting here with all manner of dramaturgical research and documentation that goes into bringing our play to life! Here you will find short essays, photos & video from the rehearsal process, and other tasty tidbits to help us flesh out the social, political, and performative landscapes of “Mary Shelley Sees the Future”. This is part three in the series. You can read parts one, two, and four here. 

 

screen-shot-2016-11-03-at-12-59-34-am                                          (This isn’t paid advertisement. It’s surveillance art.)

 

Midway through Mary Shelley Sees the Future, there is a scene in which Mary Shelley, for a few brief moments, encounters her husband Percy Shelley (or the specter of Percy Shelley) in Gaslight Coffee Roasters (You know the one— the one that juts out like a peninsula on the corner of Milwaukee and Fullerton). It is a packed Friday afternoon 200 years after their era, Percy Shelley is dead via shipwreck, and he also has no place to sit.

So they share a table. Continue reading

A Family Portrait: Part Two

For the upcoming week, Mary Shelley dramaturge Malvika Jolly will be guest posting here with all manner of dramaturgical research and documentation that goes into bringing our play to life! Here you will find short essays, photos & video from the rehearsal process, and other tasty tidbits to help us flesh out the social, political, and performative landscapes of “Mary Shelley Sees the Future”. This is part two in the series. You can read parts one, three, and four here.

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screen-shot-2016-10-23-at-11-11-11-pmIn the Runaways’ newest production, we delve into the interior worlds of one of the 19th century’s most radical— and scandalous— families. Visionaries and early drafters of many of the political and literary ideas we hold so dear— Feminism! Anarchism! Raising daughters as humans! The modern thriller! The gothic! The dystopian science fiction novel!

At the same time, the Godwin/Wollstonecraft family was subject to all the notoriety, accusations, and bad-reputation that, it would seem, comes folded into the alternative lifestyle.

By consequence, the characters that populate playwright Olivia Lilley’s play arrive already deeply interconnected by the threads of scandal: teenaged sisters conspiring their escape, suicide, poverty, elopements, serial marriages, dalliances, and numerous love affairs (past, present, and to come) all within the same incestuous circle, illegitimate children, abandoned lovers, group sex, and the ghosts of children lost and miscarried.

In her time-traveling epic, playwright Olivia Lilley chooses to hone in on the two sisters Mary Shelley and Claire Clairmont and their (delightfully cross-cast) parental figure William Godwin. Together, the two Wollstonecraft sisters navigate a world of harsh propriety and rigid social conduct as women who have returned to mainstream society and find themselves painted scarlet.

But wait! We can’t forget Mary Wollstonecraft, mother to Mary Shelley. Nor should we forget the eldest Wollstonecraft sister, Fanny Imlay (whose story is diffused into Claire’s in our play). Both are characters who— though technically absent from the world of our play— still hold a palpable presence.

Here is an introduction— a family portrait— of the Wollstonecraft sisters and their progenitors. In our last post we covered Mary Shelley’s mother Mary Wollstonecraft; today we will tackle polymath William Godwin and his eldest step-daughter Fanny Wollstonecraft… Buckle up!

 

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~    W I L L I A M         G O D W I N   ~

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